From The
Sounds of St. Francis, March 2018.
The
twentieth century English poet John Betjeman (1906-1984) is one my very
favorite modern writers. Calling him modern, though, may be a bit of a
misnomer, for his verses never ranked very highly among the literary
establishment. He was far too traditional in his political and religious
opinions and loathe to take himself too seriously. He also managed to
write verses that ordinary people can understand (and often they even rhyme).
He was very popular in his lifetime, and was even England’s poet laureate
for the last twelve years of his life.
Most of
Betjeman’s verses are about the English countryside, old buildings, social
satire, and the Christian faith. He was a faithful Anglican, a warden of
his parish church. His faith was awakened, like my own, as a young man in
the pews of Pusey House, Oxford. He had a deep devotion to the church’s
liturgy and sacramental life, shaped by his time in that enchanting place.
The transforming power of the Eucharist is an oft-repeated theme in
his work.



